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- John Edgar Wideman
Brothers and Keepers Page 10
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I wasn’t around for all that. Didn’t want to know how bad things were for him. Worrying about my mother was tough enough. I could identify with her grief, I could blame my brother. An awful situation, but simple too. My role, my responsibilities and loyalties were clear. The wildness was to blame, and it was a passing thing, so I just had to help my mother survive the worst of it, then everything would be alright. I’d steel myself for the moments alone with her when she’d tell me the worst. In the kitchen, usually, over a cup of coffee with the radio playing. When my mother was alone in the house on Tokay, either the TV or a radio or both were always on. Atop the kitchen table a small clock radio turned to WAMO, one of Pittsburgh’s soul stations, would background with scratchy gospel music whatever we said in the morning in the kitchen. On a morning like that in 1975, while I drank a cup of coffee and part of me, still half-sleep, hidden, swayed to the soft beat of gospel, my mother had explained how upset Robby was over the death of his friend, Garth.
It was a terrible thing. I’ve known Garth’s mother for years. He was a good boy. No saint for sure, but deep down a good boy. Like your brother. Not a mean bone in his body. Out there in the street doing wrong, but that’s where most of them are. What else can they do, John? Sometimes I can’t blame them. No jobs, no money in their pockets. How they supposed to feel like men? Garth did better than most. Whatever else he was into, he kept that little job over at Westinghouse and helped out his mother. A big, playful kid. Always smiling. I think that’s why him and Robby were so tight. Neither one had good sense. Giggled and acted like fools. Garth no wider than my finger. Straight up and down. A stringbean if I ever saw one. When Robby lived here in the house with me, Garth was always around. I know how bad Robby feels. He hasn’t said a word but I know. When Robby’s quiet, you know something’s wrong. Soon as his eyes pop open in the morning he’s looking for the party. First thing in the morning he’s chipper and chattering. Looking for the party. That’s your brother. He had a match in Garth.
Shame the way they did that boy. He’d been down to the clinic two or three times but they sent him home. Said he had an infection and it would take care of itself. Something like that anyway. You know how they are down there. Have to be spitting blood to get attention. Then all they give you is a Band-Aid. He went back two times, but they kept telling him the same dumb thing. Anybody who knew Garth could see something awful was wrong. Circles under his eyes. Sallow look to his skin. Losing weight. And the poor thing didn’t have any weight to lose. Last time I saw him I was shocked. Just about shocked out my shoes. Wasn’t Garth standing in front of me. Not the boy I knew.
Well, to make a long story short, they finally took him in the hospital but it was too late. They let him walk the streets till he was dead. It was wrong. Worse than wrong how they did him, but that’s how those dogs do us every day God sends here. Garth’s gone, so nothing nobody can say will do any good. I feel so sorry for his mother. She lived for that boy. I called her and tried to talk but what can you say? I prayed for her and prayed for Garth and prayed for Robby. A thing like that tears people up. It’s worse if you keep it inside. And that’s your brother’s way. He’ll let it eat him up and then go out and do something crazy.
Until she told me Garth’s story I guess I hadn’t realized how much my mother had begun to change. She had always seemed to me to exemplify the tolerance, the patience, the long view epitomized in her father. John French’s favorite saying was, Give ’em the benefit of the doubt. She could get as ruffled, as evil as the rest of us, cry and scream or tear around the house fit to be tied. She had her grudges and quarrels. Mom could let it all hang out, yet most of the time she radiated a deep calm. She reacted strongly to things but at the same time held judgment in abeyance. Events, personalities always deserved a second, slower appraisal, an evaluation outside the sphere of everyday hassles and vexations. You gave people the benefit of the doubt. You attempted to remove your ego, acknowledge the limitations of your individual view of things. You consulted as far as you were equipped by temperament and intelligence a broader, more abiding set of relationships and connections.
You tried on the other person’s point of view. You sought the other, better person in yourself who might talk you into relinquishing for a moment your selfish interest in whatever was at issue. You stopped and considered the long view, possibilities other than the one that momentarily was leading you by the nose. You gave yourself and other people the benefit of the doubt.
My mother had that capacity. I’d admired, envied, and benefited infinitely from its presence. As she related the story of Garth’s death and my brother’s anger and remorse, her tone was uncompromisingly bitter. No slack, no margin of doubt was being granted to the forces that destroyed Garth and still pursued her son. She had exhausted her reserves of understanding and compassion. The long view supplied the same ugly picture as the short. She had an enemy now. It was that revealed truth that had given the conversation its edge, its impact. They had killed Garth, and his dying had killed part of her son; so the battle lines were drawn. Irreconcilably. Absolutely. The backside of John French’s motto had come into play. Giving someone the benefit of the doubt was also giving him enough rope to hang himself. If a person takes advantage of the benefit of the doubt and keeps on taking and taking, one day the rope plays out. The piper must be paid. If you’ve been the one giving, it becomes incumbent on you to grip your end tight and take away. You turn the other cheek, but slowly, cautiously, and keep your fist balled up at your side. If your antagonist decides to smack rather than kiss you or leave you alone, you make sure you get in the first blow. And make sure it’s hard enough to knock him down.
Before she told Garth’s story, my mother had already changed, but it took years for me to realize how profoundly she hated what had been done to Garth and then Robby. The gentleness of my grandfather, like his fair skin and good French hair, had been passed down to my mother. Gentleness styled the way she thought, spoke, and moved in the world. Her easy disposition and sociability masked the intensity of her feelings. Her attitude to authority of any kind, doctors, clerks, police, bill collectors, newscasters, whites in general partook of her constitutional gentleness. She wasn’t docile or cowed. The power other people possessed or believed they possessed didn’t frighten her; she accommodated herself, offered something they could accept as deference but that was in fact the same resigned, alert attention she paid to roaches or weather or poverty, any of the givens outside herself that she couldn’t do much about. She never engaged in public tests of will, never pushed herself or her point of view on people she didn’t know. Social awkwardness embarrassed her. Like most Americans she didn’t like paying taxes, was suspicious of politicians, resented the disparity between big and little people in our society and the double standard that allowed big shots to get away with murder. She paid particular attention to news stories that reinforced her basic political assumption that power corrupts. On the other hand she knew the world was a vale of tears and one’s strength, granted by God to deal with life’s inevitable calamities, should not be squandered on small stuff.
In spite of all her temperamental and philosophic resistance to extremes, my mother would be radicalized. What the demonstrations, protest marches, and slogans of the sixties had not effected would be accomplished by Garth’s death and my brother’s troubles. She would become an aggressive, acid critic of the status quo in all its forms: from the President (“If it wasn’t for that rat I’d have a storm door to go with the storm windows but he cut the program”) on down to bank tellers (“I go there every Friday and I’m one of the few black faces she sees all day and she knows me as well as she knows that wart on her cheek but she’ll still make me show my license before she’ll cash my check”). A son she loved would be pursued, captured, tried, and imprisoned by the forces of law and order. Throughout the ordeal her love for him wouldn’t change, couldn’t change. His crime tested her love and also tested the nature, the intent of the forces arrayed against
her son. She had to make a choice. On one side were the stark facts of his crime: robbery, murder, flight; her son an outlaw, a fugitive; then a prisoner. On the other side the guardians of society, the laws, courts, police, judges, and keepers who were responsible for punishing her son’s transgression.
She didn’t invent the two sides and initially didn’t believe there couldn’t be a middle ground. She extended the benefit of the doubt. Tried to situate herself somewhere in between, acknowledging the evil of her son’s crime while simultaneously holding on to the fact that he existed as a human being before, after, and during the crime he’d committed. He’d done wrong but he was still Robby and she’d always be his mother. Strangely, on the dark side, the side of the crime and its terrible consequences, she would find room to exercise her love. As negative as the elements were, a life taken, the grief of the survivors, suffering, waste, guilt, remorse, the scale was human; she could apply her sense of right and wrong. Her life to that point had equipped her with values, with tools for sorting out and coping with disaster. So she would choose to make her fight there, on treacherous yet familiar ground—familiar since her son was there—and she could place herself, a woman, a mother, a grieving, bereaved human being, there beside him.
Nothing like that was possible on the other side. The legitimacy of the other side was grounded not in her experience of life, but in a set of rules seemingly framed to sidestep, ignore, or replace her sense of reality. Accepting the version of reality encoded in their rules would be like stepping into a cage and locking herself in. Definitions of her son, herself, of need and frailty and mercy, of blackness and redemption and justice had all been neatly formulated. No need here for her questions, her uncertainty, her fear, her love. Everything was clean and clear. No room for her sense that things like good and evil, right and wrong bleed into each other and create a dreadful margin of ambiguity no one could name but could only enter, enter at the risk of everything because everything is at stake and no one on earth knows what it means to enter or what will happen if and when the testing of the margin is over.
She could love her son, accept his guilt, accept the necessity of punishment, suffer with him, grow with him past the stage of blaming everyone but himself for his troubles, grieve with him when true penitence began to exact its toll. Though she might wish penance and absolution could be achieved in private, without the intervention of a prison sentence, she understood dues must be paid. He was her son but he was also a man who had committed a robbery in the course of which another woman’s son had been killed. What would appall her and what finally turned her against the forces of law and order was the incapacity of the legal system to grant her son’s humanity. “Fair” was the word she used—a John French word. She expected them to treat Robby fair. Fairness was what made her willing to give him up to punishment even though her love screamed no and her hands clung to his shoulders. Fairness was what she expected from the other side in their dealings with her and her son.
She could see their side, but they steadfastly refused to see hers. And when she realized fairness was not forthcoming, she began to hate. In the lack of reciprocity, in the failure to grant that Robby was first a man, then a man who had done wrong, the institutions and individuals who took over control of his life denied not only his humanity but the very existence of the world that had nurtured him and nurtured her—the world of touching, laughing, suffering black people that established Robby’s claim to something more than a number.
Mom expects the worst now. She’s peeped their hole card. She understands they have a master plan that leaves little to accident, that most of the ugliest things happening to black people are not accidental but the predictable results of the working of the plan. What she learned about authority, about law and order didn’t make sense at first. It went against her instincts, what she wanted to believe, against the generosity she’d observed in her father’s interactions with other Homewood people. He was fair. He’d pick up the egg rolls he loved from the back kitchen door of Mr. Wong’s restaurant and not blame Wong, his old talking buddy and card-playing crony, for not serving black people in his restaurant. Wong had a family and depended on white folks to feed them, so Wong didn’t have any choice and neither did John French if he wanted those incredible egg rolls. He treated everyone, high and low, the same. He said what he meant and meant what he said. John French expected no more from other people than he expected from himself. And he’d been known to mess up many a time, but that was him, that was John French, no better, no worse than any man who pulls on his britches one leg at a time. He needed a little slack, needed the benefit of that blind eye people who love, or people who want to get along with other people, must learn to cast. John French was grateful for the slack, so was quick to extend it to others. Till they crossed him.
My mother had been raised in Homewood. The old Homewood. Her relations with people in that close-knit, homogeneous community were based on trust, mutual respect, common spiritual and material concerns. Face-to-face contact, shared language and values, a large fund of communal experience rendered individual lives extremely visible in Homewood. Both a person’s self-identity (“You know who you are”) and accountability (“Other people know who you are”) were firmly established.
If one of the Homewood people said, “That’s the French girl” or, “There goes John French’s daughter,” a portrait with subtle shading and complex resonance was painted by the words. If the listener addressed was also a Homewood resident, the speaker’s voice located the young woman passing innocently down Tioga Street in a world invisible to outsiders. A French girl was somebody who lived in Cassina Way, somebody you didn’t fool with or talk nasty to. Didn’t speak to at all except in certain places or on certain occasions. French girls were church girls, Homewood African Methodist Episcopal Zion Sunday-school-picnic and social-event young ladies. You wouldn’t find them hanging around anywhere without escorts or chaperones. French girls had that fair, light, bright, almost white red-bone complexion and fine blow hair and nice big legs but all that was to be appreciated from a distance because they were nice girls and because they had this crazy daddy who wore a big brown country hat and gambled and drank wine and once ran a man out of town, ran him away without ever laying a hand on him or making a bad-mouthed threat, just cut his eyes a certain way when he said the man’s name and the word went out and the man who had cheated a drunk John French with loaded dice was gone. Just like that. And there was the time Elias Brown was cleaning his shotgun in his backyard. Brown had his double-barreled shotgun across his knees and a jug of Dago Red on the ground beside him and it was a Saturday and hot and Brown was sweating through his BVD undershirt and paying more attention to the wine than he was to the gun. Next thing you know, Boom! Off it goes and buckshot sprayed down Cassina Way, and it’s Saturday and summer like I said, so chillens playing everywhere but God watches over fools and babies so nobody hit bad. Nobody hit at all except the little French girl, Geraldine, playing out there in the alley and she got nicked in her knee. Barely drew blood. A sliver of that buckshot musta ricocheted off the cobblestones and cut her knee. Thank Jesus she the only one hit and she ain’t hit bad. Poor Elias Brown don’t quite know what done happened till some the mens run over in his yard and snatch the gun and shake the wine out his head. What you doing, fool? Don’t you know no better all those children running round here? Coulda killed one these babies. Elias stone drunk and don’t hear nothing, see nothing till one the men say French girl. Nicked the little French girl, Geraldine. Then Elias woke up real quick. His knees, his dusty butt, everything he got starts to trembling and his eyes get big as dinner plates. Then he’s gone like a turkey through the corn. Nobody seen Elias for a week. He’s in Ohio at his sister’s next time anybody hear anything about Elias. He’s cross there in Ohio and still shaking till he git word John French ain’t after him. It took three men gon over there telling the same story to get Elias back to Homewood. John French ain’t mad. He was mad but he ain’t mad now. Li
ttle girl just nicked is all and French ain’t studying you, Brown.
You heard things like that in Homewood names. Rules of etiquette, thumbnail character sketches, a history of the community. A dire warning to get back could be coded into the saying of a person’s name, and a further inflection of the speaker’s voice could tell you to ignore the facts, forget what he’s just reminded you to remember and go on. Try your luck.
Because Homewood was self-contained and possessed such a strong personality, because its people depended less on outsiders than they did on each other for so many of their most basic satisfactions, they didn’t notice the net settling over their community until it was already firmly in place. Even though the strands of the net—racial discrimination, economic exploitation, white hate and fear—had existed time out of mind, what people didn’t notice or chose not to notice was that the net was being drawn tighter, that ruthless people outside the community had the power to choke the life out of Homewood, and as soon as it served their interests would do just that. During the final stages, as the net closed like a fist around Homewood, my mother couldn’t pretend it wasn’t there. But instead of setting her free, the truth trapped her in a cage as tangible as the iron bars of Robby’s cell.